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微节目单 | “法兰西浪漫”水蓝、哈维尔·佩里亚内斯与中国交响乐团音乐会

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“法兰西浪漫”

水蓝、哈维尔·佩里亚内斯与中国交响乐团音乐会

"French Romance"

Lan Shui, Javier Perianes and the China National Symphony Orchestra Concert

2026年10月31日 星期六 19:30

31st Oct., 2026, Sat., 19:30

北京音乐厅

Beijing Concert Hall


指挥:水蓝

Conductor: Lan Shui

钢琴:哈维尔·佩里亚内斯

Piano: Javier Perianes

昆曲:沈昳丽

Kunqu Opera: Shen Yili

女高音:霍元圆

Soprano: Huo Yuanyuan

竹笛:范临风 张维本 周一鸣

Bamboo Flutes: Fan Linfeng, Zhang Weiben, and Zhou Yiming

本场音乐会首席:姚亮

Concertmaster: Yao Liang

演出:中国交响乐团

Presenter: China National Symphony Orchestra




曲 目

Programme


陈牧声

Chen Musheng

《交响牡丹亭·天》为女高音、昆曲旦角、三支竹笛与管弦乐队而作(节段)

Excerpts from "Symphonic Peony Pavilion-Heaven" for Soprano, Kunqu Opera Singer, 3 Bamboo Flutes and Orchestra

(演出时长约14分钟)

(approx 14 mins)


第二阕 笛箫吟

Ⅱ. Flute Whispering

第三阕【惜花赚】(曲牌名)

Ⅲ. The Pitiful Flower (The name of Qupai)

第五阕 莺歌笑

Ⅴ. Song of Orioles' Laughter

第六阕【江儿水】(曲牌名)

Ⅵ. River Water (The name of Qupai)


拉威尔

Ravel

G大调钢琴协奏曲,作品83号

Piano Concerto in G Major, M. 83

(演出时长约23分钟)

(approx 23 mins)


第一乐章 欢快地

Ⅰ. Allegramente

第二乐章 很慢的柔板

Ⅱ. Adagio assai

第三乐章 急板

Ⅲ. Presto

中场休息

Intermission

柏辽兹

Berlioz

《幻想交响曲》,作品14号

"Symphonie Fantastique", Op. 14

(演出时长约49分钟)

(approx 49 mins)


第一乐章 梦幻与热情

Ⅰ. Rêveries, Passions (Daydreams – Passions)

第二乐章 舞会

Ⅱ. Un bal (A Ball)

第三乐章 田野景色

Ⅲ. Scène aux champs (Scene in the Country)

第四乐章 赴刑进行曲

Ⅳ. Marche au supplice (March to the Scaffold)

第五乐章 妖魔夜宴之梦

Ⅴ. Songe d'une nuit du Sabbat (Dream of a Witches' Sabbath)


曲目以现场演出为准

Programme is Subject to Change




作曲家和曲目介绍

Introduction


陈牧声

Chen Musheng

《交响牡丹亭·天》为女高音、昆曲旦角、三支竹笛与管弦乐队而作(节段)

Excerpts from "Symphonic Peony Pavilion-Heaven" for Soprano, Kunqu Opera Singer, 3 Bamboo Flutes and Orchestra

上下滑动阅览

陈牧声,作曲家、上海音乐学院作曲指挥系主任、教授、博士生导师,中国作曲理论与创作实践产教研协同育人团队首席教授。代表作包括“梦之边缘”系列、协奏曲“随想”系列、室内乐“旋律”系列以及“交响诗篇三部曲”等。其作品曾获迪蒂耶国际作曲大奖第一名、比利时伊丽莎白王后音乐比赛作曲决赛奖、希腊文化部为纪念20世纪传奇指挥大师迪米特里·米特罗普洛斯而设立的作曲指挥双年奖第一大奖、西班牙Tarragona国际管弦乐作品比赛唯一大奖等荣誉。他的作品乐谱由法国Alphonse Leduc出版社、人民音乐出版社、上海音乐出版社等出版发行。

《交响牡丹亭·天》创作于2013年,是继交响诗《牡丹园之梦》之后,作曲家以昆曲《牡丹亭》为灵感创作的“牡丹亭交响三部曲”第二部管弦乐作品。在《天》中,再次引入了昆曲“韵白”(旦角)这一独特的声音符号,并融入美声女高音,二者一中一西、一实一虚,彼此交织,营造了“一径落花随水入,今朝阮肇到天台”的诗意画面。《交响牡丹亭·天》的曲式结构受曲牌联缀体影响,可分为六个部分(六阕):

1.散序- 2.笛箫吟- 3.惜花赚- 4.弦歌- 5.莺歌笑- 6.江儿水

作品引用了昆曲《牡丹亭》“惊梦”和“寻梦”两折中的若干词句,或作为韵白念词,或作为音乐表达之依托,索引如下:

【惜花赚】(旦)何意婵娟,小立在垂垂花树边。才朝膳,个人无伴怎游园。画廊前,深深蓦见衔泥燕,随步名园偶然。

【懒画眉】(旦)最撩人春色是今年。少什么低就高来粉画垣。原来春心无处不飞悬。睡荼縻抓住裙钗线,恰便是花似人心向好处牵。

【山坡羊】莺逢日暖歌声滑,人遇风情笑口开。一径落花随水入,今朝阮肇到天台。

【江儿水】(旦)偶然间心似缱,在梅树边。似这般花花草草由人恋,生生死死随人愿,便酸酸楚楚无人怨。

【懒画眉】【山坡羊】对应作品中第4阕、第5阕,标题没有使用这两个曲牌名,而是根据引用的词句内容与音乐情绪,取名为“弦歌”和“莺歌笑”。本场音乐会上演其中2、3、5、6四阕。


拉威尔

Ravel

G大调钢琴协奏曲,作品83号

Piano Concerto in G Major, M. 83

上下滑动阅览

莫里斯·拉威尔(Maurice Ravel, 1875-1937),法国作曲家、钢琴家。早期创作体现出印象主义音乐风格,中后期创作则更多回归并继承法国音乐传统,具有新古典主义倾向。作有歌剧、舞剧、管弦乐曲、室内乐、钢琴作品、歌曲和改编曲等。罗曼·罗兰在《向莫里斯·拉威尔致敬》中认为,拉威尔是“法兰西音乐除拉莫和德彪西之外最杰出的大师,是所有时代最伟大的音乐家之一”。

拉威尔的《G大调钢琴协奏曲》创作于1930至1931年,1932年在巴黎首演,题献给法国钢琴家玛格丽特·隆。几乎同一时期,拉威尔还完成了《D大调左手钢琴协奏曲》。两首作品的精神气质截然不同。不同于《D大调左手钢琴协奏曲》深沉而带有悲剧性的内心独白,《G大调钢琴协奏曲》洋溢着阳光、乐观的气息,既具民间音乐韵味,又运用古典创作笔法,还巧妙融入适度的爵士元素。《G大调钢琴协奏曲》采用传统的三乐章结构,双管编制,具有室内乐的风格特点。

第一乐章欢快地,G大调,奏鸣曲式。在中提琴、大提琴等乐器陪衬下,钢琴先以三连音符的音型奏出主和弦与属和弦的分散和弦,单簧管呈示第一题后,木管乐器予以充实,钢琴以滑奏给予华丽效果。小号在铜管乐器群顿音支持下反复第一主题后,转为D大调,减慢速度,英国管独奏引出钢琴独奏。单簧管在饶钹等的特殊顿音上奏第二主题经过部后,由小号引出钢琴呈示第二主题。短笛反复单簧管旋律,竖琴与钢琴波形音型增加色彩后,移高四度由钢琴再强调第二主题,转为E大调,钢琴再呈示呈示部结尾主题。发展部以第一主题和单簧管的经过部主题发展为主,很短,钢琴作托卡塔进行。钢琴以八度音程经经过部而进入再现部,第二主题以d小调返回,转为行板。竖琴极富表情地再现第二主题,木管在圆号表现的第二主题上交互作32分音符音阶进行,钢琴作长大华彩,最后浮现出第一主题影子,作华丽结束。

第二乐章很慢的柔板,E大调,三段体。这一乐章拉威尔自己说是模仿莫扎特的《单簧管五重奏》。以钢琴独奏而开始,长笛、双簧管、单簧管渐渐增加色彩。钢琴右手奏出新的旋律,以六连音符音阶装饰。英国管、长笛的旋律引出钢琴长大的颤音,然后在宁静中结尾。

第三乐章急板,G大调,其处理与普罗科菲耶夫的《第三钢琴协奏曲》相似。钢琴在弦乐拨奏上呈示主题,单簧管与短笛提高速度,并赋予顿音。钢琴奏出密集和弦时,展示出平静的气氛。经过句之后,圆号奏出谐谑的旋律,然后把这个乐章的各个要素交织在一起。乐队发展第二主题时钢琴穿梭其间,最后钢琴独奏第二主题变奏引出结尾。


柏辽兹

Berlioz

《幻想交响曲》,作品14号

"Symphonie Fantastique", Op. 14

上下滑动阅览

埃克托·柏辽兹(Hector Berlioz, 1803-1869),法国浪漫主义作曲家、指挥家与音乐评论家,被誉为“标题音乐之父”和“现代管弦乐之父”。他独创了标题音乐“固定乐思”的创作手法,并将其运用于交响乐之中。举世闻名的《幻想交响曲》即是使用“固定乐思”的典范,这一手法是对音乐形式和结构的重要贡献,对后世许多作曲家产生了直接而深远的影响。

时年27岁的柏辽兹观看了莎士比亚戏剧后,热情迷恋上了扮演奥菲利娅和朱丽叶的女演员史密丝。之后,柏辽兹以自传体手法创作了《幻想交响曲》。他这样注解自己的这部作品:“当一位有丰富想象力的年轻音乐家陷入失恋的绝望时,他的感觉、情感和记忆都在混乱的头脑中转化为音乐的形象和乐思。他所爱的人在他心中化作一个旋律,一个始终萦绕着他、不断出现的主题(固定乐思)。”这个代表他所爱之人的“固定乐思”是这部交响曲的基本主题;无论它怎样变化,都始终作为一条音乐主线,把情绪各异的五个乐章统一起来。柏辽兹亲自为各乐章所写的文字说明,是我们理解这部作品的最佳途径。第一乐章,“梦幻与热情”。他首先想到自己遇到恋人之前那种精神上的疲惫,激情的表白,无端的消沉与亢奋;继而是恋人的出现而突然激起的吞没一切的爱情,极度的痛苦,疯狂的嫉妒,重现的柔情以及宗教般的抚慰。经过长长的笼罩着忧郁情调的引子,第一乐章进入快板部分,由长笛和第一小提琴奏出激动热情的主题,这就是在全曲中一再出现的代表恋人的“固定乐思”。第二乐章,“舞会”。在一个喧闹而华丽的舞会上,他又一次遇到了他的恋人。第三乐章,“田园景色”。夏日的傍晚,他在田野中听到两只牧笛的对答,他心中感到少有的宁静。但是她重又出现,他的心蓦然收缩,痛苦的预感令他不安。第四乐章,“赴刑进行曲”。他梦见自己杀死了心上人,被判死刑,押赴刑场。固定乐思短暂地闪现,仿佛是临终前对爱人的最后顾盼。第五乐章,“妖魔夜宴之梦”。他看见自己置身于妖魔的夜宴,周围是一大群可怕的幽灵、巫师。恋人的旋律出现,但全无昔日的高贵和端庄,变得面目全非,音乐随即转入群魔乱舞的狂欢。



艺术家介绍

Artists





中国交响乐团艺术指导 / 水蓝

Artistic Advisor of the CNSO / Lan Shui





CNSO 2026/27 Concert Season


上下滑动阅览

指挥家水蓝以其建设管弦乐团的过人能力,以及热衷于在当代交响乐国际舞台上推广亚洲和世界各地杰出作曲家的新作品而闻名。2026/27乐季水蓝继续担任亚洲和欧洲各地知名乐团的客席指挥,并于2024年7月起担任中国交响乐团艺术指导。

水蓝自1997年起至2019年担任新加坡交响乐团音乐总监。《美国唱片指南》评价道:“他成功地将一个区域性的管弦乐团转变为一个世界级的、一个真正能将它的灵魂在每一场音乐会表现出来的管弦乐团。”水蓝数次率领乐团赴亚洲、欧洲和美国进行巡回演出,广受好评,并于2014年9月首次在BBC逍遥音乐节中亮相。2019年1月,水蓝成为新加坡交响乐团桂冠指挥。2007年至2015年期间,水蓝还出任哥本哈根爱乐乐团首席指挥,目前仍为乐团荣誉指挥。

作为客座指挥,水蓝曾和世界众多交响乐团合作演出,包括洛杉矶爱乐乐团、旧金山交响乐团、巴尔的摩交响乐团、底特律交响乐团、柏林德意志交响乐团、法兰克福广播交响乐团、丹麦国家交响乐团、斯图加特广播交响乐团、德意志广播爱乐乐团、瑞士哥德堡交响乐团、法国国家交响乐团和瑞典皇家乐团等。在亚洲他与中国香港管弦乐团、马来西亚爱乐乐团、日本爱乐乐团合作,并与中国爱乐乐团、上海交响乐团、杭州爱乐乐团以及广州交响乐团有着密切的合作关系。

自1998年起,水蓝与新加坡交响乐团合作为BIS唱片公司录制超过40张CD,包括历史上首套齐尔品交响曲全集以及德彪西全集、拉赫玛尼诺夫全集。与哥本哈根爱乐乐团录制的贝多芬交响乐全集也受到了音乐评论界的高度赞赏。他的专辑曾两度获得格莱美奖提名。

水蓝曾获得北京艺术节、纽约齐尔品协会、第37届法国贝桑松指挥大赛和波士顿大学 (杰出校友奖)颁发的多个国际奖项。此外,他还获得了新加坡文化艺术界最高荣誉——新加坡文化奖章。

水蓝生于中国杭州,早年就读于上海音乐学院师从桑桐,后毕业于中央音乐学院师从徐新、黄飞立。之后前往波士顿大学继续深造,并在此期间参加了坦格伍德音乐节,与莱纳德·伯恩斯坦紧密合作。他还曾担任巴尔的摩交响乐团指挥助理,与大卫·津曼共事后担任底特律交响乐团的副指挥,还与纽约爱乐乐团的库特·马祖尔和克利夫兰交响乐团的皮埃尔·布列兹合作。

Lan Shui is renowned for his abilities as an orchestral builder and for his passion in commissioning, premiering and recording new works by leading composers from Asia and elsewhere on the international contemporary orchestral scene. 2026/27 sees Shui continuing to guest conduct eminent orchestras in both Asia and Europe. Since July 2024, Lan Shui served as the Artistic Advisor of the China National Symphony Orchestra.

Lan Shui served as the Music Director of the Singapore Symphony Orchestra from 1997 to 2019, with American Record Review noting that Shui "turned a good regional orchestra into a world-class ensemble that plays its heart out at every concert". Together they made several acclaimed tours to Europe, Asia and the United States and appeared for the first time at the BBC Proms in September 2014. As of January 2019, Shui has been appointed SSO's Conductor Laureate. Lan Shui also held the position of Chief Conductor of the Copenhagen Phil from 2007 to 2015, currently serving as the orchestra's Honorary Conductor.

As a guest conductor, Shui has worked with many orchestras worldwide. In the United States he has appeared with the Los Angeles Philharmonic, San Francisco Symphony, and Baltimore and Detroit symphony orchestras. In Europe he has performed with Deutsches Symphonie-Orchester Berlin, HR-Sinfonieorchester, Danish National Symphony Orchestra, Radio-Sinfonieorchester Stuttgart des SWR, Deutsche Radio Philharmonie, Gothenburg Symphony, Orchestre National de France and Royal Swedish Orchestra. In Asia he has conducted the Hong Kong, Malaysian and Japan Philharmonic orchestras and maintains a close relationship with the China and Hangzhou Philharmonic orchestras and Shanghai and Guangzhou Symphony orchestras.

Since 1998 Shui has recorded over 40 CDs with the Singapore Symphony Orchestra for BIS - including the first ever complete cycle of Tcherepnin's symphonies plus complete orchestra works of Rachmaninov and Debussy. And also Beethoven's complete symphonies with the Copenhagen Philharmonic. His albums have been nominated for the Grammy Awards twice.

Lan Shui is the recipient of several international awards from the Beijing Arts Festival and the New York Tcherepnin Society, the 37th Besançon Conductors' Competition in France and Boston University (Distinguished Alumni Award) as well as the Cultural Medallion - Singapore's highest accolade in the arts.

Born in Hangzhou, China, Shui studied composition at the Shanghai Conservatory and graduated from the Central Conservatory of Music. He continued his graduate studies at Boston University while at the same time working closely with Leonard Bernstein at the Tanglewood Music Festival. He has worked together with David Zinman as Conducting Affiliate of the Baltimore Symphony Orchestra, as Associate Conductor to Neeme Järvi at the Detroit Symphony Orchestra, and with Kurt Masur at the New York Philharmonic and Pierre Boulez at The Cleveland Orchestra.





钢琴家 / 哈维尔·佩里亚内斯

Piano / Javier Perianes





CNSO 2026/27 Concert Season


上下滑动阅览

哈维尔·佩里亚内斯的国际演奏生涯遍及全球各大顶级音乐厅,他常年与世界顶尖交响乐团合作,并曾与众多著名指挥同台,包括丹尼尔·巴伦博伊姆、夏尔·迪图瓦、祖宾·梅塔、古斯塔沃·杜达梅尔、克劳斯·梅凯莱、詹安德里亚·诺塞达、古斯塔沃·希梅诺、桑图-马蒂亚斯·鲁瓦利、西蒙妮·杨、弗拉基米尔·尤罗夫斯基。

本乐季,佩里亚内斯会带来多场重磅音乐会,合作乐团包括旧金山交响乐团、圣地亚哥交响乐团、达拉斯交响乐团、巴尔的摩交响乐团、班贝格交响乐团、圣保罗州交响乐团、卡斯蒂利亚-莱昂交响乐团、马德里皇家剧院乐团、蒙特卡洛爱乐乐团、悉尼交响乐团及塔斯马尼亚交响乐团。此外,哈维尔·佩里亚内斯也重返瓦伦西亚社区管弦乐团,演奏并指挥贝多芬全部五首钢琴协奏曲,并携手加利西亚交响乐团,完成本次贝多芬协奏曲的系列巡演。

佩里亚内斯常年在全球各地举办独奏音乐会,本乐季将在海德堡春季音乐节、古尔本基安音乐厅、俄斯特拉发音乐厅、巴塞罗那音乐厅、阿利坎特音乐厅、马德里舍尔佐音乐厅、布鲁塞尔博扎艺术中心、列日音乐厅、金策尔斯奥音乐厅以及悉尼歌剧院演出。同时,他还频繁亮相各大国际顶级音乐节,包括英国BBC逍遥音乐节、琉森音乐节、阿格里奇音乐节、萨尔茨堡圣灵降临节音乐节、拉罗克当泰龙钢琴音乐节、格拉芬内格音乐节、布拉格之春音乐节、拉韦洛音乐节、斯特雷萨音乐节、圣塞瓦斯蒂安音乐节、桑坦德音乐节、格拉纳达音乐节、韦尔音乐节、布洛瑟姆音乐节、拉维尼亚音乐节以及加那利群岛音乐节。他深耕室内乐领域,演奏天赋出众、热忱专注,长期与中提琴演奏家塔贝亚·齐默尔曼固定搭档合作。二人将进行德国及北美巡演,在卡内基音乐厅、蒙特利尔布尔吉音乐厅、普林斯顿音乐厅、魁北克音乐俱乐部以及美国国会图书馆音乐厅演出。

在佩里亚内斯的职业生涯中,他曾与众多世界顶级名团合作演出,其中包括维也纳爱乐乐团、莱比锡布商大厦管弦乐团、芝加哥交响乐团、波士顿交响乐团、旧金山交响乐团、华盛顿国家交响乐团、读卖日本交响乐团、丹麦国家交响乐团、奥斯陆爱乐乐团、伦敦爱乐乐团、纽约爱乐乐团、洛杉矶爱乐乐团、捷克爱乐乐团、巴黎管弦乐团、克利夫兰管弦乐团、蒙特利尔交响乐团、瑞典广播交响乐团、挪威广播交响乐团、马勒室内乐团及布达佩斯节日管弦乐团。

阿莫尼亚蒙迪为佩里亚内斯独家录制音乐专辑,他最新发行的作品包括斯卡拉蒂奏鸣曲精选、格拉纳多斯《戈雅之画》,肖邦第二、第三钢琴奏鸣曲,并搭配收录肖邦作品63号的三首玛祖卡舞曲。2025年,他与欧洲艺术电视台在塞维利亚皇家阿尔卡萨宫拍摄了一部纪录片,聚焦斯卡拉蒂与阿尔贝尼斯两位作曲家与塞维利亚这座城市的渊源。

佩里亚内斯曾获西班牙文化部颁发的国家音乐奖,并荣获国际古典音乐奖 (ICMA)的“年度艺术家”奖项。

The international career of Javier Perianes has led him to perform in the most prestigious concert halls, with the world's foremost orchestras, working with celebrated conductors including Daniel Barenboim, Charles Dutoit, Zubin Mehta, Gustavo Dudamel, Klaus Mäkelä, Gianandrea Noseda, Gustavo Gimeno, Santtu-Matias Rouvali, Simone Young and Vladimir Jurowski.

The 2025/26 season features an array of high-profile concerts, including San Francisco, San Diego, Dallas and Baltimore symphony orchestras, Bamberger Symphoniker, Orquestra Sinfônica do Estado de São Paolo, Orquestra Sinfónica de Castilla y León, Teatro Real and Orchestre Philharmonique de Monte Carlo, Sydney and Tasmanian symphony orchestras. Perianes returns to Orquestra de la Comunitat Valencia to play-direct all five Beethoven Concerti and concludes the play-direct Beethoven cycle with Galicia Symphony.

Perianes frequently appears in recitals across the globe, with performances this season at Heidelberger Frühling, Gulbenkian, Ostrava, Barcelona, Alicante, Scherzo Madrid, Bozar, Liege, Künzelsau and Sydney Opera House.  He also appears at prestigious festivals such as the BBC Proms, Lucerne Festival, Argerich Festival, Salzburg Whitsun, La Roque d'Anthéron, Grafenegg, Prague Spring, Ravello, Stresa, San Sebastián, Santander, Granada, Vail, Blossom, Ravinia and the Canary Island Music Festival. As a natural and keen chamber musician, he regularly collaborates with violist Tabea Zimmermann. The duo will tour Germany and North America including dates at Carnegie Hall, Montreal Salle Bourgie, Princeton, Club Musical de Quebec, and Library of Congress.

Career highlights have included concerts with Wiener Philhamoniker, Leipzig Gewandhausorchester, Chicago, Boston, San Francisco, Washington's National, Yomiuri Nippon and Danish National symphony orchestras, Oslo, London, New York, Los Angeles and Czech philharmonic orchestras, Orchestre de Paris, Cleveland, Orchestre Symphonique de Montréal and Swedish and Norwegian Radio orchestras, Mahler Chamber Orchestra and Budapest Festival Orchestra.

Perianes exclusively records for harmonia mundi. His most recent releases feature a selection of Scarlatti's Sonatas, Granados' Goyescas, and Chopin's Sonatas No.2 and No.3 interspersed with the three Mazurkas from Op.63. In 2025, Euroarts released a documentary recorded with Perianes at the Reales Alcazares in Seville, showing the special relationship between Scarlatti and Albéniz, linked to the city of Seville.

Perianes was awarded the National Music Prize by the Ministry of Culture of Spain and named Artist of the Year at the International Classical Music Awards (ICMA).





昆剧表演艺术家 / 沈昳丽

Kunqu Opera / Shen Yili





CNSO 2026/27 Concert Season


上下滑动阅览

著名昆剧表演艺术家,上海昆剧团,一级演员,MFA艺术硕士,中国戏剧家协会会员,上海市戏剧家协会理事。第28届中国戏剧梅花奖、第11届上海白玉兰戏剧表演艺术主角奖、联合国教科文组织“促进昆剧艺术发展奖”得主。入选2025年全国戏曲表演领军人才,师承王英姿,得华文漪、梁谷音、张继青、张洵澎、沈世华、王奉梅、王芝泉、张静娴等多位名家亲授,博采众长。代表作有经典剧目《牡丹亭》《长生殿》《紫钗记》《玉簪记》《贩马记》《墙头马上》《蝴蝶梦》《潘金莲》等,另有原创剧目新美学昆剧《红楼别梦》,新古典主义昆剧《琵琶行》,实验剧场《椅子》《伤逝》《浣莎纪》《一场穿越历史的演奏会》以及音乐剧场之“戏曲风三重奏(《惊梦》《天上掉下个林妹妹》《三轮车上的小姐》)”、交响诗曲《情殇:霓裳骊歌杨贵妃》、原创歌曲《琵琶行》等,出版演剧文化随笔《幽梦谁边:昆曲日知录》、黑胶唱片《情殇》、经典昆曲名段唱腔专辑等。

致力于开展国际文化交流,为首位受邀赴BBC录制的中国昆曲艺术家,受邀香港“一带一路”实验剧场创作演出及大师班授课。积极探索当代昆曲发展路径,以“作者戏剧”的文化理想融情入戏,不断开拓从舞台出发的东西方多元文化视野;推动传统艺术融入生活,创办“昳丽道场”,提出“昆曲是有美感的生活方式”。

Shen Yili, A renowned Kunqu performing artist from Shanghai Kunqu Opera Troupe, First-Class Actress, Master of Fine Arts, Member of China Theatre Association and Council Member of Shanghai Theatre Association. She is the recipient of the 28th China Plum Blossom Award for Theatre, Leading Role Award of the 11th Shanghai Magnolia Awards, and the UNESCO Award for the Promotion of Kunqu Art. Selected as one of the National Leading Talents in Traditional Opera Performance in 2025. She trained under Wang Yingzi and received personal tutoring from many masters including Hua Wenyi, Liang Guyin, Zhang Jiqing, Zhang Xunpeng, Shen Shihua, Wang Fengmei, Wang Zhiquan and Zhang Jingxian, absorbing strengths from diverse schools. Her repertoire features classic works such as The Peony Pavilion, The Palace of Eternal Life, The Purple Hairpin, The Jade Hairpin, The Tale of the Horse Dealer, On the Wall and On the Horse, Butterfly Dream and Pan Jinlian. Her original productions include the neo-aesthetic Kunqu A Dream of Parting at the Red Chamber, the neoclassical Kunqu Song of the Pipa, experimental theatre works The Chairs, Regret for the Past, Tale of Huansha and A Concert Travelling Through History. She has also created the music theatre series Opera Trio (Startling Dream, Lin Daiyu Falls from the Sky, The Lady on the Rickshaw), Symphonic Poem Love Tragedy: The Ballad of Yang Yuhuan and the original work Song of the Pipa, etc. She has published the theatrical essay collection Where the Faint Dream Dwells: Daily Notes on Kunqu, vinyl record Love Tragedy, and albums of classic Kunqu arias.

Committed to international cultural exchanges, she is the first Chinese Kunqu artist invited to record for the BBC. She has been invited for creative performances and masterclasses for the "Belt and Road" experimental theatre programme in Hong Kong, China. Actively exploring pathways for contemporary Kunqu development, she infuses her emotions into performances guided by the cultural ideal of "Auteur Theatre", continuously broadening a cross-cultural vision bridging the East and the West rooted on the stage. To integrate traditional art into daily life, she founded the "Yili Dojo" and put forward the proposition that "Kunqu is an aesthetic way of life".





女高音歌唱家 / 霍元圆

Soprano / Huo Yuanyuan





CNSO 2026/27 Concert Season


上下滑动阅览

霍元圆,中国交响乐团合唱团女高音声部长,一级演员。毕业于中央音乐学院,师从郭淑珍教授。曾出演歌剧《茶花女》《图兰朵》《艺术家的生涯》《岳飞》等,参演音乐剧《西游记》,国家艺术基金原创音乐剧《北京故事》。

参加“文艺中国2023新春特别节目”,庆祝中国共产党成立102和103周年交响音乐会,央视《丝路繁花——共建“一带一路”倡议十周年音乐会》,央视2024“新春非遗之夜”,《正义必胜》纪念中国人民抗日战争暨世界反法西斯战争胜利80周年文艺晚会等,多次参加国事活动,曾赴世界多国进行国际交流演出。

为2023杭州亚运会开、闭幕式演唱背景音乐,为央视纪录片《航拍中国》演唱背景音乐,为舞剧《天路》《永不消逝的电波》演唱背景音乐,为《第二十条》《芈月传》《如懿传》等影视作品录制背景音乐,录制《经典咏流传》《回声嘹亮》《开门大吉》《环球综艺秀》等综艺节目。代表作品《渡荆门送别》《云台望月》《相望》等。

Huo Yuanyuan, Soprano Section Leader of the China National Symphony Orchestra Chorus, First-Class Actress. Graduated from the Central Conservatory of Music, she studied under Professor Guo Shuzhen. She has performed in operas including La Traviata, Turandot, La Bohème, and Yue Fei. She also performed in music dramas Journey to the West, and The Story of Beijing, an original music drama funded by the China National Arts Fund.

She has participated in "Art China 2023 Spring Festival Special Program", concert series celebrating the 102nd and 103rd Anniversaries of the Founding of the CPC, the CCTV Concert Silk Road Blooms: Concert Celebrating the 10th Anniversary of The Belt and Road Initiative, the CCTV "2024 New Year Intangible Cultural Heritage Night", and the Grand Cultural Gala "Justice Prevails" Commemorating the 80th Anniversary of the Victory of the Chinese People's War of Resistance Against Japanese Aggression and the World Anti-Fascist War. She has also performed on numerous state occasions and toured many countries for international cultural exchanges and performances.

She recorded background music for the opening and closing ceremonies of the 2023 Hangzhou Asian Games, the CCTV documentary "Aerial China", dance dramas The Heavenly Road and The Eternal Wave, as well as film productions including Article 20, Legend of Mi Yue, and Ruyi's Royal Love in the Palace. She also recorded for variety shows including Everlasting Classics, Echoes of Folk Songs, Open the Door for Good Luck, and Global Variety Show. Her representative works include Farewell at Jingmen Ferry, Yuntai Moon Viewing, and Facing Each Other from Afar.





笛箫演奏家 / 范临风

Bamboo Flute / Fan Linfeng





CNSO 2026/27 Concert Season


上下滑动阅览

范临风,青年笛箫演奏家,中央音乐学院民乐系竹笛专业教师,非遗“竹笛艺术”中国高等音乐艺术院校教育发展联盟副主席,师从著名竹笛演奏家、教育家唐俊乔教授。

入选中宣部首批“艺苑撷英”全国优秀青年中国管乐演奏人才,获国家艺术基金青年创作人才项目资助。曾获“文华奖”“CCTV民族器乐电视大赛”“全国竹笛邀请赛”等国家级、省部级奖项二十余项。

长期活跃于国内外音乐舞台,曾与中国交响乐团、中国爱乐乐团、上海交响乐团、中央音乐学院交响乐团、法国尼斯交响乐团等知名乐团合作。2019年、2023年两度与中央音乐学院交响乐团合作,在美国纽约卡内基音乐厅分别担任郭文景《愁空山》、秦文琛《苍山序》竹笛协奏曲独奏。积极参与中国当代音乐作品的演绎与推广,曾参与秦文琛《咏笛》、陈牧声《交响牡丹亭·天》、郑阳《归去来兮·雪山之恋》等作品的首演。多次受邀参加中央广播电视总台《2025年元宵晚会》《乐动中国》《风华国乐》等节目录制。

在演奏实践之外,长期致力于中国传统音乐的传承、教学与学术研究,关注江南丝竹、昆曲等传统音乐的演奏实践及其当代发展。主讲课程获评北京市高校优质本科课程,编著《竹笛研习指南·启音》,发行个人专辑《起风了——范临风笛箫作品专辑》《丝竹生生——范临风江南丝竹作品专辑》。

FAN Linfeng is a dizi and xiao performer and a faculty member in the Department of Chinese Traditional Music at the Central Conservatory of Music in Beijing. She serves as Vice Chair of the Higher Music Education Alliance for the Intangible Cultural Heritage of Chinese Dizi Art and has studied under Professor Tang Junqiao, a distinguished dizi performer and educator.

She was selected for the inaugural "Yiyuan Xieying" program recognizing outstanding young Chinese wind instrumentalists, organized by the Publicity Department of the CPC Central Committee, and received support from the China National Arts Fund's Young Artistic Talent Program. She has received more than twenty national and provincial-level awards, including honors from the Wenhua Awards, the CCTV National Instrumental Music Competition, and the National Dizi Invitational Competition.

Active on concert stages in China and internationally, she has collaborated with the China National Symphony Orchestra, China Philharmonic Orchestra, Shanghai Symphony Orchestra, Central Conservatory of Music Symphony Orchestra, and orchestras in Nice, France. In 2019 and 2023, she appeared as dizi soloist with the Central Conservatory of Music Symphony Orchestra at Carnegie Hall in New York, performing Guo Wenjing's dizi concerto Chou Kong Shan and Qin Wenchen's Cang Shan Xu, respectively. Committed to the performance and promotion of contemporary Chinese music, she has participated in the premieres of works including Qin Wenchen's Yong Di, Chen Musheng's Symphonic Peony Pavilion-Heaven, and Zheng Yang's Gui Qu Lai Xi: Snow Mountain Love. She has also appeared in China Media Group productions, including the 2025 Lantern Festival Gala, Yue Dong Zhong Guo, and Feng Hua Guo Yue.

Beyond her performing career, FAN is dedicated to the preservation, teaching, and scholarly study of traditional Chinese music, with particular interests in Jiangnan Sizhu and Kunqu opera and their development in contemporary contexts. A course she teaches has been recognized as a Beijing Municipal High-Quality Undergraduate Course. She is the author of A Guide to Dizi Studies: Foundations and has released two albums, The Wind Rises: Dizi and Xiao Works by Fan Linfeng and Enduring Sizhu: Jiangnan Sizhu Works by Fan Linfeng.





竹笛演奏家 / 张维本

Bamboo Flute / Zhang Weiben





CNSO 2026/27 Concert Season


上下滑动阅览

张维本,五岁开始随父亲——中国著名竹笛演奏家、张延武教授学习竹笛演奏。张维本于2010年考入西安音乐学院附中,先后师从于孟繁珍老师和赵逊老师。2016年以全国专业第一的成绩考入中央音乐学院,师从戴亚教授。2017年被国家教育部国家级重点教育改革项目之一“拔尖创新人才培养”选拔暨中央音乐学院教育部“BOB拔尖创新人才”。

Zhang Weiben began studying the bamboo flute at the age of five under his father, Professor Zhang Yanwu, a renowned Chinese bamboo flute performer. In 2010, he was admitted to the affiliated middle school of Xi'an Conservatory of Music, where he studied under teachers Meng Fanzhen and Zhao Xun. In 2016, he was admitted to the Central Conservatory of Music with the highest national professional score, studying under Professor Dai Ya. In 2017, he was selected as a "BOB Outstanding Innovative Talent" at the Central Conservatory of Music under the "Outstanding Innovative Talent Cultivation" program, one of the key national educational reform initiatives of China's Ministry of Education.





竹笛演奏家 / 周一鸣

Bamboo Flute / Zhou Yimin





CNSO 2026/27 Concert Season


上下滑动阅览

周一鸣,中央音乐学院民乐系竹笛专业本科在读。自幼随父研习笛、箫、埙、排箫等传统管乐,河南省音乐统考全省第一,2023年入校,师从袁非凡教授。曾获北京竹笛邀请赛金奖、“昭君杯”职业青年A组金奖第一名、新加坡南洋国际音乐大赛银奖等荣誉,在北京、东京举办多场独奏音乐会与学术讲座,登台国家大剧院等舞台,参与《黑神话·悟空》等影视游戏配乐录制。

Zhou Yiming is an undergraduate student majoring in Dizi at the Department of Traditional Chinese Musical Instruments of the Central Conservatory of Music. He began studying Dizi, Xiao, Xun, Paixiao and other traditional wind instruments with his father from an early age. He ranked first in the Henan Provincial Music Unified Examination enrolled at Central Conservatory of Music in 2023, and studies under Professor Yuan Feifan. He has won honors including the Gold Award at the Beijing Dizi Competition, the First Gold Prize in Professional Youth Group A of the Zhaojun Cup, and the Silver Award at the Singapore Nanyang International Music Competition. He has given multiple solo recitals and academic lectures in Beijing and Tokyo, performed at venues including the National Centre for the Performing Arts, and participated in soundtrack recording for works such as Black Myth: Wukong.




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